![]() ![]() I'm turning my head at specific aesthetic angles, regardless of what might feel best. When the camera is rolling, I'm more concerned with giving good face, not with sucking in my lips and cheeks, or with a male partner's pleasure. Larkin Love : My blowjobs off-camera are far more intense and complex than the ones I deliver on screen. You'll often barely graze a pussy with your tongue. All the while, I spread her labia as far as possible.īunny Colby : You need to make sure your face is pulled enough away for cameras to see all the action going on. Ryan Driller : While the girl is on her back, with her legs spread as far as possible, I push the full side of my face opposite the camera and lighting, stick my tongue out as far as it possibly can, and barely graze her labia or clitoral-area. Johnny Goodluck : You can't see a tongue if you're sucking a vagina. Verronica Kirei: When I am eating a woman out, I can't necessarily be face deep in her pussy. Here's what they said: How do you play up cunnilingus for the camera?īunny Colby : Going down on a girl is the most edited one. I also asked them what, if anything, they or their fans can or should take away from the strange positional logic that dominates the porn world. To help viewers get a better sense of all the little positional tweaks and preferences at play in porn, I reached out to a handful of adult stars and asked them to break down everything they do for the sake of a good visual. In fact, these angular alterations are specialized, intense physical labor. "The best performers can make it look like their posture, body positioning, hand positioning, the way their hair falls, and everything else is natural," adds Love. ![]() As Marie succinctly puts it, "good camera angles usually mean an uncomfortable sexual position." In practice, this often means that performers have to twist out towards a camera, and hold a dynamic pose, all while having what is often extremely athletic sex. "Boy, am I just bored with reverse cowgirl" at this point, grumbles performer Verronica Kirei.Įvery sex act and position, whether under- or overrepresented, also has to be tweaked to favor visual impact over visceral pleasure. ![]() "Boy, am I just bored with reverse cowgirl." "Seeing a guy's ass bouncing up and down isn't usually what's wanted."Ĭonversely, it leads to the overrepresentation of positions like reverse cowgirl, which performer Kimmie KaBoom explains "opens everything up" to the camera easily and inherently. "Missionary hides a lot of what most of the viewers want to see," explains performer Alex Saint. The need to play to cameras, and ultimately viewer desires, also leads to the underrepresentation of some positions performers love in their offscreen lives, like good ol' missionary, which don't lend to clear shots. In fact, it's often "profoundly uncomfortable for both partners." But, as performer Larkin Love points out, it's also "a ridiculous and miserable move" for many people. This is one of the reasons you see so many wild, acrobatic positions in porn that rarely translate well into real life, like the pile driver, in which a receiving partner is placed upside down, neck and shoulders on the floor and legs up by their ears, while a penetrating partner squats over and plows down into them: It's great for getting a clean shot of every bit and bob of interest to the average viewer, every hydraulic pump, and every facial reaction. Performers always need to make sure that the lenses trained on them can capture clear shots of all the action viewers want to see, explains adult actress Sofie Marie. "In 90 percent of the films we shoot, the sex is completely different than the sex you have in your personal life," says performer Ryan Driller, "fully due to the need to play to the camera." They even make sure that, when performers are going at it, they don’t fuck like they would in real life, but instead adopt specific positions, and contort themselves into odd angles that may not feel great, but yield ideal explicit imagery. They include or highlight key visual cues, like money shots, at key moments to give a sense of navigable structure to their content. Creators lean into specific tropes and scenarios (like those associated with the ubiquitous fauxcest genre), often repeatedly and farther each time, to charge or heighten viewers’ reactions to the sex they frame. So it should come as no surprise that almost every aspect of the vast majority of porn - even most amateur and reality scenes - is likewise carefully constructed in an attempt to maximize its audience appeal. We all know that a ton of art and artifice goes into crafting every movie, show, and half-decent YouTube or TikTok clip that we watch. Welcome to Porn Week, Mashable's annual close up on the business and pleasure of porn. ![]()
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